Saturday, 24 December 2011

Canon EF 50mm f1.4 USM Standard & Medium Telephoto Lens for Canon SLR Cameras

!±8± Canon EF 50mm f1.4 USM Standard & Medium Telephoto Lens for Canon SLR Cameras

Brand : Canon | Rate : | Price : Too low to display
Post Date : Dec 24, 2011 10:19:26 | Usually ships in 1-2 business days


Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens. Canon EF 50mm f/1.4 USM Standard & Medium Telephoto Lens Standard lens featuring superb quality and portability. Two high-refraction lens elements and new gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture. Features: Superb lens featuring superb quality and portability f/14 speed makes it perfect for available-light shooting Ideal lens to accompany a zoom when shooting in low-light conditions compact and affordable Only lens in the EF System to combine the extra-small micro USM and still provide full-time manual focusing when the lens Dimensions: 2"L x 2.9"W x 2.9"H

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Thursday, 1 December 2011

Canon EF 100mm f/2.8 Macro USM Lens + Deluxe Accessory Kit

!±8± Canon EF 100mm f/2.8 Macro USM Lens + Deluxe Accessory Kit

Brand : Canon | Rate : | Price : $649.95
Post Date : Dec 01, 2011 10:51:05 | Usually ships in 1-2 business days


Bring small things into full-sized view with the Canon EF 100mm macro USM lens. Macro lenses can uncover detail that would be impossible to detect by the eye and give new perspective to extremely minute subjects such as insects or the petals of a small flower, and this lens is no exception. The lens offers such features as a three-group floating system for exceptional close-up performance; a secondary diaphragm that blocks stray light at f/2.8, which increases contrast when shooting wide open; a ultra-sonic monitor (USM) that provides outstanding autofocusing speed at all focusing distances; a wide manual focusing ring with smooth action; and full-time manual focus even in AF mode. The first lens in its class to feature inner focusing.
++PLUS++ Deluxe Accessory Kit: 3 pc Filter Kit: Includes: UV filter, Polarizing filter, Fluorescent correction filter, Filter case - Protective Lens Pouch with Drawstring Closure - Lens Pen Cleaning Tool - Lens Cap Leash - Advanced Microfiber Cleaning Cloth.

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Wednesday, 9 November 2011

Canon Portrait Lens On a Budget - How To Choose A Portrait Lens

!±8± Canon Portrait Lens On a Budget - How To Choose A Portrait Lens

Getting a good portrait lens is not difficult, but knowing which ones qualify is important. Before you go out and make a purchase, you should take a look into your camera bag to see if you may have a Canon portrait lens in there cleverly disguised as.. let's say a Macro lens or maybe a sports action lens.

The first issue is to determine what the qualifications of a good Canon portrait lens actually are. But in the process, keep in mind that you want to save money.

I hope this does not burst your bubble. I mean, photographers are kind of like fishermen and golfers. We are always under the impression that we need the next new camera or lens that comes out. Or, like my mother-in-law used to say, "If you don't have it, you need it." While the grass may be greener on the other side of the fence where your neighbor has a Canon EF 135mm f/2.0 portrait lens that she paid 00 for, it's possible that you can get by with something that you either already own or that costs just a tad bit less.

OK, real quick, the qualifications:

1. Image quality - this has to be really good. You do not want a lens that has poor image quality. After all, you will be shooting people, and most people are very vain about their appearance. It's not like taking a picture of a monkey or bear at the zoo. Those animals don't care what their picture looks like.

To find out whether the lens in question will qualify as a Canon portrait lens with respect to image quality, check some expert sites. But keep in mind that these guys are going to be very technical. You might just want to go to the Amazon or B & H Photo website and check user reviews. In that case, look for reviews from advanced amateurs or professionals. They will also be fairly reliable.

2. Focal length - Portraits can be taken with a lens that is as short as 50mm or as long as 300mm. Some of the pros use the extra long length to get the great bokeh, but normal portrait shooters use a lens of about 85mm to 135mm. The good news is that if you have an entry-level or mid-level digital SLR, you have what is known as a crop factor, which simply means that your camera multiplies the focal length of the lens by either 1.5 or 1.6 depending on the make of the camera. So if you have a 100mm lens, multiply it by the crop factor of, say 1.6, and you have an effective focal length of 160mm. And a 50mm lens becomes an effective focal length of 85mm. Of course, the shorter the focal length, the closer you will be to your subject. That's why a wide angle lens of 28mm will not be your best bet for a portrait lens.

3. Aperture - The aperture is really important. The wider the aperture, the better your chances for getting the nice blurry background that is desirable in this type of photography. You want a minimum of f/4.0 for longer length lenses, such as a 180mm lens, and at least an f/2.8 for the shorter lenses, such as 50mm. The larger the aperture, the better your background will be. But you also need a good sharp focus on the eyes because there is a very shallow depth of field with the wider apertures.

Generally, single focal length lenses are preferred for portraits, but that is not a hard and fast rule. Some photographers use their Canon 70-200 mm lens for this and are very happy with it.

OK, so there is a wide range of possibilities here. Going back to the first suggestion, look into your camera bag and see which, if any, of your current lenses fit the qualifications. If you still need to purchase a Canon portrait lens, proceed with patience. Getting a lens that can do two or three types of images is also a viable option.

One last thing. Third party lenses, like Sigma, Tamron, and Tokina are also great ways to save a few bucks. There are some excellent lenses made by these manufacturers, but make sure you check what the experts and others who have used them say in forums and online comment areas.


Canon Portrait Lens On a Budget - How To Choose A Portrait Lens

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Sunday, 30 October 2011

DSLR Camera Lenses and Their Abbreviations

!±8± DSLR Camera Lenses and Their Abbreviations

For those of you who want to learn what these abbreviations are about, I have compiled a list of the terms used, what it stands for and of course what it will actually do for you or avoid.

General Abbreviations.

Before we get into the nitty gritty of why they are all different, let's look at the commonalities. There are three common terms to describe SLR lenses and these are simple to grasp and relate purely to more creative and performance functions.

Focal length: - The scope of the scene captured example 16-35mm. A lens which covers an area of 16mm (relatively wide) zooming in to 35mm.

Maximum aperture:- The maximum speed at which the lens can let in light. eg f/2.8 or f3.5 - 5.6

If the lens has only one number then that is the maximum aperture possible.

If the lens has 2 numbers then these are the maximum apertures possible dependent upon the focal length the lens is set to.

The lower the number the wider the lens aperture and the faster it lets in light. (see my forthcoming article on the law of reciprocity)

AF/MF: Switch between Auto Focus and Manual Focus

Canon Lens Abbreviations

Terms to describe Canon lenses

Canon produce an extremely wide range of lenses for their EOS cameras. This married with the ranges produced by Sigma, Tamron and Tokina gives Canon owners an enormous range of Canon Fit SLR Lenses. The abbreviations used by Canon are as below.

EF: Electronic Focus. Lens mount fits the entire Canon EOS DSLR range.

EF-S: As above but only fitting the APS-C sensor digital SLR such as the 20D, 30D, 40D, 50D and 300D, 350D, 400D, 450D, 500D. The S stands for "short back focus," meaning that the back of the lens is much closer to the CMOS (CCD if you like) than with EF lenses.

USM: Ultrasonic autofocus motor. Two types. USM micro-a direct replacement for the systems on older FD motors and 'Ring USM' with manual override.

DO: Diffractive optics. A technology allowing Canon to produce shorter physical length lenses.

TS-E: Tilt-shift lens used for perspective correction in photography, usually in architectural work to alter converging lines and depth of field. Similar to 'Sinar' camera.

L Lenses: Canon professional with higher optical quality and not specifically functionality. Usually white in colour. All L series lenses have a red ring on the outside..

MP-E: Macro Photo Electronic. Lenses designed for macro with an electronic aperture control function.

IS: Image Stabilisation, A system designed to reduce hand shake. Nikon version is called VR (Vibration Reduction) and Sigma one is OS (Optical Stabilisation).

Nikon Lens Abbreviations

Describing Nikon Lenses

Nikon produce a large range of lenses with their own specific acronyms. Sigma, Tamron and Tokina also make Nikon Fit SLR Lenses making the selection almost equally as wide

AF DC_ Nikkor Lenses:Defocus-image Control adjusting spherical aberration and thus the blur giving rounded blur effect used for portraits.

CRC (Close-Range Correction): Fot fisheye, wide-angle, Micro, and limited medium telephoto, offering higher quality at closer distances.

DX Nikkor: optimised for bodies with smaller sensors.

ED: Extra-low Dispersion glass. Superior sharpness and colour, correcting blue and red light travel.

IF: Internal Focusing. Lens length remains unchanged

Macro: suitable for close up focusing.

G: Aperture adjusted by the camera body.

Nano Crystal Coat: non-reflective coating for clearer images.

VR: Vibration Reduction: Nikon's version Image Stabilisation to cur down the effects of hand shake.

PC-E: Perspective Control for architectural photography.

RF: Rear Focusing for smoother auto focus..

Silent Wave Motor: Silent AF

Sigma Lens Abbreviations

Acronyms for Sigma lenses

EX: Sigma's professional lenses.

DG: For full frame bodies

DC: For APS-C bodies.

ASP: Aspherical lens.

APO: Apochromatic lens. Unique to Sigma and for chromatic aberration.

OS: Optical Stabilisation.

HSM: Hypersonic Motor. Silent AF.

RF: Rear focus..

IF: Inner focus so lens physical length is fixed reducing hand shake on longer focus shots.

DF: Dual focus. Does not rotate during AF.

Conv: Used with Sigma teleconverters.

Tamron Lens Abbreviations

Tamron Lenses described

ASL: Aspherical

AD: Reduces chromatic aberration..

Di : Full frame

Di II: Cropped Frame.

IF: Internal focus.

LD: Low Dispersion Glass to reduce chromatic abberation

Macro: Designed to focus on closer subjects

SP : Super Performance.

XR: Extra Refractive Glass for improved optical results.

VC: Vibration Control as Canon's IS, Sigma's OS and Nikon's VR.

For more information on lens acronyms and lens applications visit Park Cameras. A pro dealer who provide full UK warranty SLR Lenses.


DSLR Camera Lenses and Their Abbreviations

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Thursday, 13 October 2011

Canon's D60 Digital Cameras

!±8± Canon's D60 Digital Cameras

Nick Muskovac, PPSA Palm Harbor, FL wrote very interesting article about Canon`s D60 digital camera. His article is inspired by individual experience and observation.

Author is active user of canon digital cameras. First one he had was Canon D 30. Comparing the canon D30 with D60 Mr. Muskovac finds than, the major difference is that the D60 has much more pixles - 6.3 million pixels which beats the D30 with 3.25 million pixels.

He emphasis that D60 is using the CMOS which draws less power and therefore the camera can shoot more pictures on one battery than most Point-and-Shoot cameras without the loss of image quality.

The major specifications in Mr. Muskovacx` are:

D60 Specifications:

Type: Single Lens Reflex; 36 bit full color; CMOS direct imaging sensor

Compatible lenses: All Canon EF lenses

Lens focal length: 1.6 X indicated lens focal length

Imaging element: High sensitivity high resolution large single plate CMOS sensor

Effective sensor size: 22.7 X 15.1mm

Effective pixels: 6.29 million pixels (3072 X 2048)

Aspect ratio: 3:2

LCD monitor: TFT type color LCD monitor

Picture size: 1.8 inch

Recording method: Media--CF card (type I or II)

Formats: JPEG, RAW

Auto focus type--AF

Focusing points: 3 point (1 + 1)

AF working range: EV0.5 to EV18 (ISO 100)--This is a big improvement over the D30 with a range of EV2 to EV 18.

Focusing modes:

(1) One shot AF: AF locks when focus is achieved

(2) A1 servo AF: Tracks subject movement until the actual start of metering

(3) A1 focus AF: Automatically switches between one-shot AF mode and A1 servo AF.

(4) Manual focus: Manual focusing can be used when focusing mode switch on lens is set to manual focus (M)

Exposure control: 35-zone SPC and TTL open Metering

(1) Evaluative metering

(2) Center partial metering (approx. 9.5% of viewfinder area)

(3) Center weighted average value metering

Exposure modes:

(1) tv (time value) Shutter speed priority

(2) av (aperture value) Aperture-priority

(3) Auto depth of field priority

(4) Full Auto mode

(5) Manual mode

ISO speed range: Equivalent to 100, 200, 400, 800, 1000

Exposure compensation:

(1) AEB +/- 2 stops in 1/2 or 1/3 stop increments.

(2) Manual compensation +/- 2 stops in 1/2 or 1/3 stop increments.

Shutter type: Vertical travel focal plane shutter with all speeds controlled electronically.

Speeds: 1/4000 to 30 seconds. Bulb, and X-sync at 1/200 second.

Self-Timer: Electronically controlled, 10-second delay.

Drive modes:

(1) Single shot

(2) Continuous

(3) Self-timer (10 sec)

Number of continuous images:

Approximately 3 images/second; In One Shot AF mode at 1/250 second or faster, to a maximum of 8 images.

Built-in flash type:

Retractable E-TTL autoflash and auto popup flash.

Guide No. 39 at ISO 100 (ft.)

Recycling time: approximately 3 seconds.

Power Supply: operates from one BP-511 Battery Pack (lithium ion battery)

Number of images that can be taken with a fully charged battery:

540 (50% flash, normal temp.)

Camera Body

Flash contacts:

(1) Accessory shoe: X-sync contacts

(2) Sync terminal (with locking thread) on lower corner of camera body.

External flash system compatibility: Compatible with E-TTL auto sync.

In my opinion, the D60 camera's most valuable specification and feature is, that it will take all of Canon's EF (auto focus) lenses.

This was a very important consideration for me since I already own Canon EOS equipment and the following EF lenses:

20mm 2.8 28-135 IS 4.5/5.6

100mm 2.8 macro 75-300 IS 5.6

70-200mm2.8 100-400 IS 5.6 300mm 2.8

Putting the camera in action he took few shots and analyzed the quality of the pictures. He used the Canon 100mm 2.8 macro lens. Then he explains "Its focal length is 160 mm when mounted on the D60, an ideal macro lens. I use a twin macro flash, which I have been using for years with my EOS 1N. I shoot in the manual mode with this flash, using the guide number to gauge the distance. The shutter speed of the camera is set to 1/200 sec. I vary the f-stop depending on the distance of the butterfly from the imaginary film plane. The f-stop is generally varied between f16 and f25. When the distance to the subject exceeds 1 1/2 feet, I change the ISO setting from ISO100 to ISO200 instead of opening up the aperture. In this manner I could still use a small aperture value and maintain a good depth of field. With the D60 and 6.3 million pixels, I was able to make a very good 10 X 15 inch print using the largest jpeg image storage mode. Figure 1 shows a Coolie Butterfly taken at ISO200, 1/200 sec, f22, and a distance of about 2 feet".

When he used evaluative metering on the snowy egrets against a green background, the egrets were overexposed. Then he concludes that "the same is true to a lesser extent when using Center Partial Metering and Center Weighted Average. To get the proper exposure on the White Egrets, an exposure compensation of -2/3 to -1 stop was used in the evaluative metering mode. I shoot most all my pictures using the evaluative metering mode".

He pays attention to file numbering systems. We may choose from: (1)Continuous. (2) Auto reset. In the Continuous mode the numbering is continuous between cards. Then he points that Canon software assigns the folder numbers. The image number in each successive folder picks up where the previous folder left off, thereby providing consecutive numbering of images. The time/date is also permanently stored with each image file. Convenient storage functions allows to place Images in folders in groups of 100.

In the Auto reset mode the number resets to 0001 each time you insert a new card.

The D60 image numbering system only goes to 9900. It would have been nice to allow for 100,000 images. Heavy shooters will shoot more than 10,000 images in a year.

Here is an example of how the folder and image numbers work:

Folder Image Range

CANON100 IMG_0001 to IMG_0100

CANON101 IMG_0101 to IMG_0200

CANON102 IMG_0201 to IMG_0300

CANON198 IMG_9801 to IMG_9900

CANON200 IMG_0001 to IMG_0100

CANON201 IMG_0101 to IMG_0200

By keeping images in different folders, duplicate image file names can be identified and then renamed if necessary.

The D60's has nice 1.8 inch TFT color LCD monitor, It allows us to review your images right away.

Important is his comment about the battery life Usualy with 50% flash use and review mode on, he usually can perform between 350 and 400 images on one fully charged battery. He concludes "Reviewing the images does use a significant amount of battery power".

According to the author following features of the D60 that I consider important:

1. D60 can use all Canon EF lenses.

2. Changing ISO settings in mid-roll.

3. Review your picture :immediately after making the exposure.

4. Having a built in 1.6 X extender.

5. Shooting 3 images per second and up to eight continuous images.

He gives the D60 a good grade. Most of all he is impressed with the image quality. According to him "the camera has interchangeable Electronic Focus lens capability, and multiplies your long lenses by a factor of 1.6X. Overall it looks that the D60 is a great camera


Canon's D60 Digital Cameras

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Wednesday, 5 October 2011

Canon EF-S 60mm f/2.8 Macro USM Digital SLR Lens for EOS Digital SLR Cameras

!±8± Canon EF-S 60mm f/2.8 Macro USM Digital SLR Lens for EOS Digital SLR Cameras

Brand : Canon | Rate : | Price : $449.00
Post Date : Oct 05, 2011 17:42:07 | Usually ships in 1-2 business days


A thoroughly modern design that's optimized for select Canon EOS digital SLRs. Its angle of view is equivalent to a 96mm lens on a 35mm camera, with a floating optical system that can focus down to full life-size (1:1) magnification. Inner focusing, driven by a silent and powerful ring-type USM, means the lens' overall length never changes during focus. This lens is a wonderful multi-purpose lens that's equally at home shooting macro shots, portraits or available-light photos. Like all Canon EF-S Lenses, its use is restricted to the EOS 20D, EOS Digital Rebel and EOS Digital Rebel XT cameras.

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Thursday, 22 September 2011

Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital SLR Cameras

!±8± Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital SLR Cameras

Brand : Canon | Rate : | Price : $949.99
Post Date : Sep 22, 2011 02:51:12 | Usually ships in 1-2 business days


  • 100mm lens with f2.8 aperture
  • Canon's first mid-telephoto macro "L" series lens to include Canon's sophisticated Image Stabilization
  • Near-silent Ultrasonic focusing
  • Enjoy life-size close-up capabilities without an adapter
  • Compatible with 67mm filters

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Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital SLR Cameras

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Monday, 19 September 2011

Friday, 16 September 2011

Canon - Macro lens - 100 mm - f/2.8 USM - Canon EF

!±8± Canon - Macro lens - 100 mm - f/2.8 USM - Canon EF


Rate : | Price : | Post Date : Sep 16, 2011 19:19:04
Usually ships in 3-4 business days

The Canon EF 100mm f/2.8 Macro USM Autofocus lens is suitable for macro photography up to life-size (1x) magnification. Inner focusing affords a long working distance of 5.9 inches to infinity.

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Wednesday, 14 September 2011

Review of the Canon EF-S 60 mm Macro Lens

!±8± Review of the Canon EF-S 60 mm Macro Lens

If you are serious about photography in the end you think macro photography. The images that can be taken with a macro lens, can truly breathtaking, with a level of detail that makes the picture a wonder to behold. Before starting, you want to make sure you choose the right lens for your camera for macro photography and the following is a review of the Canon EF-S 60 mm macro.

The Canon EF-S 60 mm macro lens is a fixed focus lens with USM or ultrasoundMotor for quiet operation and has a 2.8 f-stops. Take it out of the box that you did a very good goal with a firm grip and a booklet of detailed instructions are presented. The lens has an EF-S attack is so popular models should be fine on the 450D and 500D, as well as some of the higher range, such as the Canon 5D. The goal is not compatible with the Canon flagship, the only EF.

Once you have unpacked the lens and attached to the Canon camera you wantThey started using it. The first thing to note, is quite small compared to the other objectives and has a fixed focal length, so that you can not zoom in on a topic. This means that you must physically move the issue to be closer, but this is the right of a macro lens?

As a fixed focal length of 60 mm EF-S may be a secondary use as a lens retracted. It has evolved with this use in my tests, even if there would be my only goal when traveling. When the lensreally shines is when you start with macro photography.

Macro with the Canon EF-S 60 mm

As a macro lens, the Canon EF-S 60 mm performs very well. The level of detail in captured images may be surprising, especially when viewed on a large monitor. The next focal area was about 15 cm from the subject I could, so that it can be very closed.

During my tests I have some photos of small flowers and insects, although getting them to sit still, if youin the vicinity is difficult. The captured images are striking, with a level of detail different from all other photos I've taken with normal lenses. There is no loss for the definition of the edges are sharp and colors.

Because it is a USM lens, the operation is very quiet, once again something very useful for animals nearby. In this context, it may be a small tripod and cable release mechanism, as soon as you place the camera close to the subject and away from addnot to scare them.

The autofocus mechanism is very fast, but sometimes have problems, how densely it is exchanged between two focal points.

Other alternatives to this macro lens

If you have a Canon digital SLR, then there are some cheap alternatives from Canon with this objective.

The Canon EF 100 mm macro lens is more expensive, but available is compatible with Canon digital SLR cameras more expensive, so if you think that an upgrade or already have a wider rangeCamera, this would be a better choice.

The Canon EF 50 mm macro lens is a target older and therefore less expensive than the 60mm lens. Although there are more torments that the Canon EF-S 60 mm auto-focus and fight like slow in low light is compatible with Canon cameras and higher area under the right conditions is very good shots.

I recommend this goal?

Without a doubt, if you're interested in macro photography, and then I have a Canon DSLRI would not hesitate to buy this lens. It 'a great addition to my collection have been, and use it regularly, and I like to study closely the images a larger screen.


Review of the Canon EF-S 60 mm Macro Lens

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